Café Godot

Back to homepage
“Los lunes se dan clases de tango”: nada es lo que parece en la obra teatral de Antonio Arbeloa – Una reseña de José Antonio Olmedo López-Amor
Artes Escénicas Café Godot

“Los lunes se dan clases de tango”: nada es lo que parece en la obra teatral de Antonio Arbeloa – Una reseña de José Antonio Olmedo López-Amor

Los lunes se dan clases de tango: nada es lo que parece en la obra teatral de Antonio Arbeloa *** *** Los lunes se dan clases de tango: nada es

31/01/2021
πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say – except causing trouble.’ – Notes on Euripides’ «Medea» and Colin Teevan’s «The Last Word» – III – Tomás García
Artes Escénicas Café Godot Sendas perdidas

πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say – except causing trouble.’ – Notes on Euripides’ «Medea» and Colin Teevan’s «The Last Word» – III – Tomás García

πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say –

29/01/2021
πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say – except causing trouble.’ – Notes on Euripides’ «Medea» and Colin Teevan’s «The Last Word» – II – Tomás García
Artes Escénicas Café Godot Sendas perdidas

πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say – except causing trouble.’ – Notes on Euripides’ «Medea» and Colin Teevan’s «The Last Word» – II – Tomás García

πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say –

29/01/2021
πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say – except causing trouble.’ – Notes on Euripides’ «Medea» and Colin Teevan’s «The Last Word» – I – Tomás García
Artes Escénicas Café Godot Sendas perdidas

πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say – except causing trouble.’ – Notes on Euripides’ «Medea» and Colin Teevan’s «The Last Word» – I – Tomás García

πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say –

29/01/2021
El «Romancero gitano» de Lorca, Espert y Pasqual – Una reseña crítica de Sebastián Gámez Millán
Artes Escénicas Café Godot

El «Romancero gitano» de Lorca, Espert y Pasqual – Una reseña crítica de Sebastián Gámez Millán

El Romancero gitano de Lorca, Espert y Pasqual *** *** Leíste por primera vez el Romancero gitano (1928), de Federico García Lorca, antes de cumplir los 20 años, y entonces

13/03/2020
«We are such stuff as dreams are made on, and our little life is rounded with a sleep» – Acerca de «The Tempest», de William Shakespeare – III – Tomás García Mojonero
Artes Escénicas Café Godot

«We are such stuff as dreams are made on, and our little life is rounded with a sleep» – Acerca de «The Tempest», de William Shakespeare – III – Tomás García Mojonero

«We are such stuff as dreams are made on, and our little life is rounded with a sleep» – Acerca de «The Tempest», de William Shakespeare – III *** ***

04/03/2020