Artes Escénicas
πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say – except causing trouble.’ – Notes on Euripides’ «Medea» and Colin Teevan’s «The Last Word» – I – Tomás García
πρὸς δὲ καὶ πεφύκαμεν γυναῖκες, ἐς μὲν ἔσθλ᾽ ἀμηχανώταται, κακῶν δὲ πάντων τέκτονες σοφώταται / ‘After all, we women are good for nothing – / That’s what they say –
El «Romancero gitano» de Lorca, Espert y Pasqual – Una reseña crítica de Sebastián Gámez Millán
El Romancero gitano de Lorca, Espert y Pasqual *** *** Leíste por primera vez el Romancero gitano (1928), de Federico García Lorca, antes de cumplir los 20 años, y entonces
«We are such stuff as dreams are made on, and our little life is rounded with a sleep» – Acerca de «The Tempest», de William Shakespeare – III – Tomás García Mojonero
«We are such stuff as dreams are made on, and our little life is rounded with a sleep» – Acerca de «The Tempest», de William Shakespeare – III *** ***
«We are such stuff as dreams are made on, and our little life is rounded with a sleep» – Acerca de «The Tempest», de William Shakespeare – II – Tomás García Mojonero
«We are such stuff as dreams are made on, and our little life is rounded with a sleep» – Acerca de «The Tempest», de William Shakespeare – II *** ***
«We are such stuff as dreams are made on, and our little life is rounded with a sleep» – Acerca de «The Tempest», de William Shakespeare – I – Tomás García Mojonero
«We are such stuff as dreams are made on, and our little life is rounded with a sleep» – Acerca de «The Tempest», de William Shakespeare – I *** ***
El casticismo hispánico y sus relaciones con el teatro breve musical -María Jesús Pérez Ortiz
El casticismo hispánico y sus relaciones con el teatro breve musical *** *** La dictadura administrativa, procedente del despotismo ilustrado del siglo XVIII perseveraba en su empeño de no querer
